Vicious criminal Brad Mayfield takes pleasure in kidnapping, assault and murder. It is up to Officer Dan Burk to stop his lust for blood. The stakes of the game quickly rise when Burk becomes romantically involved with a beautiful woman who happens to be Mayfield’s next victim. When Burk’s daughter is kidnapped, the case goes from just a job to a race against time to save his family.

Khosi, wife to the Minister of the Environment, Jet Hlatswayo has uncovered an assassination plot targeting the President. Khosi's strained marriage is pushed to the brink by the murder of her husband's mistress.

A former actor is fascinated by an idea. He meets a scientist, a speech therapist, and a juggler, and convinces them to stage Endgame by Samuel Beckett. They believe that Beckett’s play about four people trapped in a world that is about to collapse describes the situation in which they find themselves in.

What happens when a germophobic B-Movie producer marries a nymphomaniac wife who loves anal sex? All hell breaks loose, and a brilliant new director captures it all on camera!

Based on the novel by Ian Adams, a film-noir treatment of a man's doppelganger obsession.

In a virtual world where friendships and love promise proximity and security, they will spot invisible threats, fraud, thoughtful tricks, psychological manipulations, cyberbullying and emotional blackmail.

暂无剧情简介

暂无剧情简介

暂无剧情简介

根植于《游戏》这部作品中的核心策略是对不同图像媒介中“呈现”与“观看”的解构，它以一种非线性的，跳跃式的叙述方式而展开：从传统摄影到电脑生成图像（CGI）的比较，从体育赛事电视转播中摄影机位置的追踪，到第一人称射击类游戏中对人眼的模仿。作品试图通过对这些异质图像的挪用，对比与蒙太奇来讨论图像背后的生产机制与迭代关系，以及观察者在其中所处的位置与其所持有的相应的视角。“世界是如何被图像所再现的？再现的世界又如何重构了我们观看方式？”是一个很难被回答的问题，《游戏》是对于这个问题的一次谦逊的尝试。（OCAT 上海馆）